[-empyre-] politics of critical fusion
Forwarded from "norie neumark" <norie.neumark@uts.edu.au>
Hello,
Before responding to Saul, I'd like to introduce myself. (Sorry, I've
just caught up with September's really interesting works and
discussion) I am a sound and media artist (what Steve Dietz calls
'formerly new media artist") and academic and I work in
collaboration with Maria Miranda. Most recently we've been making
works which involve performative encounters in public places. (for
instance, collecting the world's biggest collection of breath, which
we will use to blow back global warming) Because we make them in
public places, they are perhaps in one way political, though we
don't think of it as "political art" because we don't see our
project as either reform or revolution or even exposing society's
ills. [Interesting here could be the discussion about politically
motivated social collaborations not so much from a political point of
view (is it just reform) but an aesthetic point of view by Claire
Bishop in "The Social Turn: Collaboraton and its Discontents" http://
www.artforum.com/html/issues/200602/new]
We are working with the element of play outside of the formal
structure of games (and this harks back to earlier discussions this
month), which enables us to invite others to enter a zone of
performative encounters with us and allows for a moment of sociality
with strangers. That is, we're interested in encounters at this level
of the momentary and everyday. There is for us an element of a sort
of self-reflexivity because the media we use to document the
encounters is what actually makes the encounters possible (it
becomes, playfully, a documenting of a documenting...)
Norie Neumark
Media Arts
Humanities
University of Technology, Sydney
www.out-of-sync.com
--
Timothy Murray
Professor of Comparative Literature and English
Director of Graduate Studies in Film and Video Studies
Curator, The Rose Goldsen Archive of New Media Art, Cornell Library
285 Goldwin Smith Hall
Cornell University
Ithaca, New York 14853
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